Japanese couple couch horror-movie selfie — 30 second live-action short

1 个生成视频

提示词信息
分享者	@MagicAI
模型	Seedance 2.5
分类	Japanese couple couch horror-movie selfie — 30 second live-action short There are no reference images. Every person below must be built from words alone. WOMAN: one Japanese woman in her mid twenties, the only person visibly depicted as a physical person in the living-room frame. A soft oval face with a clean jawline, clear brown eyes with subtle double lids, a small straight nose, full red-tinted lips, bright skin with visible pores — no doll-like AI smoothness. Dark-brown hair tied up low at the nape with loose strands falling beside her face. The face set in the first cut carries through every later cut — same features, same colours. She never turns into a different person and no look-alike appears. In this video she wears a cream oversized knit sweater with a grey blanket over her knees. The same face and the same clothes in every cut. GHOST: a being that appears only inside the horror movie on the TV screen. Long black hair wet and clinging, half covering the face, a white dress stained with grime, bloodless pale skin, bare feet. From 0:12 to 0:23 the ghost's full body and every movement stay within the horror-movie image area inside the physical TV's black bezel. It is a different person from the woman on the couch. CAMERA HOLDER: the woman's boyfriend films first-person selfie-style with his phone from beside the couch. He never appears on screen from start to finish — no hand, no arm, no shadow of him. Only his voice is heard warm from behind the camera, with no lips on screen. SPACE: the living room of a small Japanese 1LDK apartment, deep at night. A low fabric couch with cushions and a grey blanket, a popcorn bucket on the seat beside her. On the low wooden table in front, a convenience-store snack bag and a green-tea PET bottle. Across from the couch a large TV sits on a low board, switched on, its blue-white glow flickering across her face. On the wall behind, string lights glow softly out of focus and the curtains are closed. THE MOVIE ON TV: the horror film playing on the TV is set inside a Japanese wooden house deep at night. Sliding doors line both sides of a narrow dark hallway and the only light is one faint lamp at the far end, so most of the frame sits in darkness. From 0:12 to 0:23 the phone films the physical TV, with all four edges of its black bezel continuously visible. Glass glare and fine pixel texture remain visible. The movie's dark look and the ghost exist only within the bezel and never bleed into the living room. LOOK: the seven cuts form a consistent 7-cut video filmed on the same phone. Keep the selfie's arm-breath sway and unretouched phone texture while making each cut transition clear. The only lights in the living room are the blue-white glow of the TV screen and the warm bulb glow of the string lights on the wall. The living-room cuts keep identical colour and brightness from cut to cut — a cozy indoor night mix of those two lights, an unretouched real phone picture where skin texture and pores stay visible. No beauty filter or smoothing, with a subtle grain over the frame. From 0:12 to 0:23 all four edges of the physical TV's black bezel, soft glass glare, and fine pixel texture continuously remain in frame. DIALOGUE: every line is casual spoken Japanese. Lines are short and run on one breath. The woman's lines are spoken facing front with her lips visible; the man's lines are off-screen voice with no lips on screen. (0:00–0:04) — Living room couch. Handheld selfie medium shot at eye level. The woman sits curled up watching the TV. The grey blanket covers her from the knees to the belly and her upper body and face stay out of it. She glances over toward the camera — the corner of her mouth is smiling. The man's voice from off-screen, teasing. Dialogue: 「ねえ、映画はそっちだよ？」 The frame sways gently with the arm's breathing. Transition: cut as she lets out a small laugh (0:04–0:08) — Same couch. Selfie held. She narrows her eyes at the camera. Dialogue: 「だって、そっちがずっとスマホ向けてくるじゃん」 Off-screen, the man laughs low. Transition: cut as she starts turning her head toward the TV (0:08–0:12) — From the couch to the TV. While she says, 「はいはい、いいから静かに観てよ」 she turns her eyes to the TV, and at the same time the camera swings past her shoulder for a short Push In toward the TV. The physical TV's black bezel and screen glare grow larger while its sound draws closer. Transition: cut on an insert that retains all four bezel edges (0:12–0:18) — Close insert of the physical TV. All four edges of the black bezel remain visible, together with glass glare and fine pixel texture. Inside the bezel: the dark hallway of a wooden house deep at night, and at the far end one sliding door stands open just a finger's width, something faintly white stirring in the darkness of the gap. The movie's camera moves down the hallway in a very slow Dolly Forward. The floorboards creak with each step and a low rumbling hum begins to settle in. Transition: cut as it draws near the door (0:18–0:23) — Same TV insert. All four black bezel edges, glass glare, and pixel texture remain. Inside the bezel, the ghost slides the sliding door aside, then stands far in the dark — wet long hair partly covers the face and a grime-stained white dress is visible. At 0:20.5 the hum stops for silence until 0:21. At 0:21 the ghost lunges toward the image in one move, its pale face filling the TV image as one short, strong TV-movie sting plays in full. From 0:21 to 0:23 the close face stays within the bezel while the decay ends. Transition: hard cut at 0:23 (0:23–0:27) — Hard cut back to the living room couch. Selfie medium close-up. The woman flinches hard, shoulders jumping, and props the cushion beside her face so it hides only one cheek — her lips remain visible. The fright breaks straight into laughter. Dialogue: 「うわっ、もう!マジでびっくりした!」 The frame gives one big shake with her flinch. Transition: cut as she catches her breath (0:27–0:30) — Same couch. She gives the camera a playful narrow-eyed look. Dialogue: 「もう撮るのやめて、こっち座ってよ」 The frame lurches and drops lower and the couch sinks — the feel of him sitting down beside her. She breathes out long and presses her back into the couch. The final frame holds on her profile as her eyes turn to the TV. AUDIO: diegetic sound only. From 0:00 to 0:12 muffled movie sound runs low from the TV, mixed with blanket rustle. From 0:08 to 0:12 the TV sound grows louder as the camera nears it. From 0:12 to 0:20.5 floorboard creaks and a low rumbling hum rise gradually. From 0:20.5 to 0:21 complete silence. At 0:21 one short, strong sting from inside the TV movie plays once in full without clipping or distortion, and its short decay ends from 0:21 to 0:23. From 0:23 to 0:27 blanket rustle and her laughing breath. From 0:27 to 0:30 the couch pressing down and the TV sound returned low. CONSISTENCY: the only person visibly depicted as a physical person in the living-room image is the woman. Her boyfriend is present in the room but never visible in any cut. The ghost exists only in the image within the physical TV's black bezel; it never crosses the bezel or appears in the living room. In every living-room cut the woman has the same face, the same knit sweater, and the same blanket. No subtitles, logos, or watermarks on screen. FINALLY: it must look like footage her boyfriend actually shot on a phone. The face, the skin and the movement carry no sign of being AI made. She blinks, and her cheeks lift naturally when she smiles. Her expression does not change all at once — the fright too arrives as a flinch, a caught breath, then laughter in that order. Lines are pronounced clearly and no ending is clipped. Expression and gesture are not acting but what would come out on its own in that situation.
数据集	renoise-ai · awesome-seedance-2-5-prompts

完整提示词

There are no reference images. Every person below must be built from words alone.

WOMAN: one Japanese woman in her mid twenties, the only person visibly depicted as a physical person in the living-room frame. A soft oval face with a clean jawline, clear brown eyes with subtle double lids, a small straight nose, full red-tinted lips, bright skin with visible pores — no doll-like AI smoothness. Dark-brown hair tied up low at the nape with loose strands falling beside her face. The face set in the first cut carries through every later cut — same features, same colours. She never turns into a different person and no look-alike appears. In this video she wears a cream oversized knit sweater with a grey blanket over her knees. The same face and the same clothes in every cut.

GHOST: a being that appears only inside the horror movie on the TV screen. Long black hair wet and clinging, half covering the face, a white dress stained with grime, bloodless pale skin, bare feet. From 0:12 to 0:23 the ghost's full body and every movement stay within the horror-movie image area inside the physical TV's black bezel. It is a different person from the woman on the couch.

CAMERA HOLDER: the woman's boyfriend films first-person selfie-style with his phone from beside the couch. He never appears on screen from start to finish — no hand, no arm, no shadow of him. Only his voice is heard warm from behind the camera, with no lips on screen.

SPACE: the living room of a small Japanese 1LDK apartment, deep at night. A low fabric couch with cushions and a grey blanket, a popcorn bucket on the seat beside her. On the low wooden table in front, a convenience-store snack bag and a green-tea PET bottle. Across from the couch a large TV sits on a low board, switched on, its blue-white glow flickering across her face. On the wall behind, string lights glow softly out of focus and the curtains are closed.

THE MOVIE ON TV: the horror film playing on the TV is set inside a Japanese wooden house deep at night. Sliding doors line both sides of a narrow dark hallway and the only light is one faint lamp at the far end, so most of the frame sits in darkness. From 0:12 to 0:23 the phone films the physical TV, with all four edges of its black bezel continuously visible. Glass glare and fine pixel texture remain visible. The movie's dark look and the ghost exist only within the bezel and never bleed into the living room.

LOOK: the seven cuts form a consistent 7-cut video filmed on the same phone. Keep the selfie's arm-breath sway and unretouched phone texture while making each cut transition clear. The only lights in the living room are the blue-white glow of the TV screen and the warm bulb glow of the string lights on the wall. The living-room cuts keep identical colour and brightness from cut to cut — a cozy indoor night mix of those two lights, an unretouched real phone picture where skin texture and pores stay visible. No beauty filter or smoothing, with a subtle grain over the frame. From 0:12 to 0:23 all four edges of the physical TV's black bezel, soft glass glare, and fine pixel texture continuously remain in frame.

DIALOGUE: every line is casual spoken Japanese. Lines are short and run on one breath. The woman's lines are spoken facing front with her lips visible; the man's lines are off-screen voice with no lips on screen.

(0:00–0:04) — Living room couch. Handheld selfie medium shot at eye level. The woman sits curled up watching the TV. The grey blanket covers her from the knees to the belly and her upper body and face stay out of it. She glances over toward the camera — the corner of her mouth is smiling. The man's voice from off-screen, teasing. Dialogue: 「ねえ、映画はそっちだよ？」 The frame sways gently with the arm's breathing. Transition: cut as she lets out a small laugh

(0:04–0:08) — Same couch. Selfie held. She narrows her eyes at the camera. Dialogue: 「だって、そっちがずっとスマホ向けてくるじゃん」 Off-screen, the man laughs low. Transition: cut as she starts turning her head toward the TV

(0:08–0:12) — From the couch to the TV. While she says, 「はいはい、いいから静かに観てよ」 she turns her eyes to the TV, and at the same time the camera swings past her shoulder for a short Push In toward the TV. The physical TV's black bezel and screen glare grow larger while its sound draws closer. Transition: cut on an insert that retains all four bezel edges

(0:12–0:18) — Close insert of the physical TV. All four edges of the black bezel remain visible, together with glass glare and fine pixel texture. Inside the bezel: the dark hallway of a wooden house deep at night, and at the far end one sliding door stands open just a finger's width, something faintly white stirring in the darkness of the gap. The movie's camera moves down the hallway in a very slow Dolly Forward. The floorboards creak with each step and a low rumbling hum begins to settle in. Transition: cut as it draws near the door

(0:18–0:23) — Same TV insert. All four black bezel edges, glass glare, and pixel texture remain. Inside the bezel, the ghost slides the sliding door aside, then stands far in the dark — wet long hair partly covers the face and a grime-stained white dress is visible. At 0:20.5 the hum stops for silence until 0:21. At 0:21 the ghost lunges toward the image in one move, its pale face filling the TV image as one short, strong TV-movie sting plays in full. From 0:21 to 0:23 the close face stays within the bezel while the decay ends. Transition: hard cut at 0:23

(0:23–0:27) — Hard cut back to the living room couch. Selfie medium close-up. The woman flinches hard, shoulders jumping, and props the cushion beside her face so it hides only one cheek — her lips remain visible. The fright breaks straight into laughter. Dialogue: 「うわっ、もう!マジでびっくりした!」 The frame gives one big shake with her flinch. Transition: cut as she catches her breath

(0:27–0:30) — Same couch. She gives the camera a playful narrow-eyed look. Dialogue: 「もう撮るのやめて、こっち座ってよ」 The frame lurches and drops lower and the couch sinks — the feel of him sitting down beside her. She breathes out long and presses her back into the couch. The final frame holds on her profile as her eyes turn to the TV.

AUDIO: diegetic sound only. From 0:00 to 0:12 muffled movie sound runs low from the TV, mixed with blanket rustle. From 0:08 to 0:12 the TV sound grows louder as the camera nears it. From 0:12 to 0:20.5 floorboard creaks and a low rumbling hum rise gradually. From 0:20.5 to 0:21 complete silence. At 0:21 one short, strong sting from inside the TV movie plays once in full without clipping or distortion, and its short decay ends from 0:21 to 0:23. From 0:23 to 0:27 blanket rustle and her laughing breath. From 0:27 to 0:30 the couch pressing down and the TV sound returned low.

CONSISTENCY: the only person visibly depicted as a physical person in the living-room image is the woman. Her boyfriend is present in the room but never visible in any cut. The ghost exists only in the image within the physical TV's black bezel; it never crosses the bezel or appears in the living room. In every living-room cut the woman has the same face, the same knit sweater, and the same blanket. No subtitles, logos, or watermarks on screen.

FINALLY: it must look like footage her boyfriend actually shot on a phone. The face, the skin and the movement carry no sign of being AI made. She blinks, and her cheeks lift naturally when she smiles. Her expression does not change all at once — the fright too arrives as a flinch, a caught breath, then laughter in that order. Lines are pronounced clearly and no ending is clipped. Expression and gesture are not acting but what would come out on its own in that situation.

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