街头海报中破框而出的时尚舞者

黑衣表演者穿过海报墙、复印室与屋顶，以跳跃、转身和定格动作串起高对比排版的街头服饰广告。原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。

生成结果

文生视频

提示词信息
分享者	@Riccardo
模型	MiniMax H3
分类	广告与电商
数据集	SkyNotSilent · awesome-MiniMax-H3-cases

完整提示词

Create one coherent 15-second 16:9 MV with synchronized picture, original song, vocals, sound design, and cuts. Anime fused with live-action photography: a single original avant-garde street-fashion anime performer breaks through a street poster wall and travels through one connected nocturnal print route: poster corridor, copy room, tiled underpass/stairs, rooftop billboard. Gritty manga energy inspired by Gachiakuta, but no copied character, panel, logo, or artwork. Keep one face, hair silhouette, body proportions, cropped utility jacket, layered shirt, loose cargo trousers, high-tops, chain, and long strap in every shot. English-only on-screen text.

VISUAL: strict black #111111, paper white #F1EBDD, and aquamarine #49D6C5; grayscale photographic spaces and skin. Retro copy-zine, pasted street posters, halftone, torn paper, tape, scanlines, restrained VHS gate weave and fringe. Main type is ultra-black condensed grotesk, ALL CAPS, tight tracking, squared counters. Every text event has Layer A readable hero base, Layer B offset aquamarine/grayscale print plate, Layer C foreground paper/type occlusion; read clearly before transforming and recover within one beat. Use photocopy burst on snare, aquamarine misregistration on hi-hat, torn occlusion on vocal words, irregular split panels on 808, delayed double portrait on hi-hat, and a short black type field at the ending. No random print, fake logos, gibberish, or ordinary subtitles.

MUSIC/PERFORMANCE: original K-pop hip-hop/trap-rap, 128 BPM 4/4, double-time hats with half-time body feel, dry kick, snare on beat three, clipped clap, sparse hats and one roll, moving 3-note 808 with a slide and octave answer, metallic pluck and distorted electric-piano stab. One confident neutral-masculine voice: crisp aggressive rap, then chant-sung hook; final tag adds low-octave double. Structure: 0–1.875 intro tag “CUT IN”; 1.875–5.625 rap; 5.625–7.5 rising pre-hook and breath; 7.5–11.25 call-and-response hook; 11.25–13.125 kick-out beat switch; 13.125–15 final tag, bass hit, tiny tape-stop, clean hard stop, no fade. Lyrics: Rap A1 “Cut through the paper, make the dead wall shake”; Rap A2 “Ink in my jacket, every fake frame breaks”; Pre-hook “Hold that breath, let it rise”; Hook 1 “BREAK THE GRID”; Hook 2 “MAKE IT LIVE”; Response “Again!”; Final tag “BREAK THE GRID”. A1/A2 have connected meaning and rhyme, with straight-sixteenth then triplet cadence. Do not subtitle the lyrics; visual words are CUT IN, BREAK, THE GRID, HOLD, MAKE IT LIVE, AGAIN. Actions include diagonal power walk, cross-step, low drop/rebound, pivot freeze, jacket snap/strap swing, push-wall rebound, paper passage, and controlled stair step-down. Include three large actions, two space contacts, one clothing-inertia action, and two design-led still points. Align mouth, jaw, eyes, shoulders, footfalls, breath, type, snare, and 808.

SHOT 1 — 0.0–1.6s, wide low push-in, poster-wall entrance. Performer steps from deep background through torn seam, shoulder first; front foot transfers weight, jacket catches paper, strap trails, camera settles on face. Action: paper passage. Text “CUT IN”, 110% hero. Layer A behind shoulder; B aquamarine jitter; C taped strip crosses torso then peels. Rhythm/Cut: inhale tears paper, kick hard-cuts.
SHOT 2 — 1.6–3.4s, eye-level side track, poster corridor. Diagonal power walk left-to-right, foot on kick, body crosses seam, strap and hem trail, camera jolts. Action: power walk. Text “BREAK”, 70% split by poster columns. A clean by face; B slips on hats; C foreground strip passes arm. Rhythm/Cut: snare halftone and hard cut.
SHOT 3 — 3.4–5.2s, low close-medium backward dolly, copy doorway. Cross-step over floor strip, shoulder-led 90-degree pivot, elbow brushes copier, torso rebounds. Action: cross-step/half-turn. Text “THE GRID”, 90% across copier/body in two irregular panels. A reads; B scans on rhyme; C paper flap slices lower frame and recovers. Rhythm/Cut: triplet jumps, cut on 808.

SHOT 4 — 5.2–7.0s, locked eye-level close-up, copy-room still point. Pivot ends; one collar pull, shoulders freeze, eyes track, jaw releases on breath, strap settles. Action: jacket pull/freeze. Text “HOLD”, 125% behind head with face pocket. A readable; B returns to registration; C tiny monospaced “BREATHE” seam note vanishes. Rhythm/Cut: low end drops, hold, flash-cut on pre-hook end.
SHOT 5 — 7.0–8.9s, wide low orbit, tiled underpass. Hook hit: performer bursts through threshold, forearm contacts pillar, center drops, leg rebounds, jacket opens, camera orbits then snaps back. Action: push-wall rebound. Text “BREAK THE GRID”, 145% in three unequal panels. A reads; B jumps aquamarine on 808; C torn diagonal crosses pillar but reveals face. Rhythm/Cut: hook consonant and kick cut on rebound.
SHOT 6 — 8.9–10.8s, overhead-to-front whip tilt, stairs. Two steps up, axis turns down, controlled short step-down, knees absorb, upright hit. Action: high-low step. Text “MAKE”, 80% vertical along stair diagonal. A reads on rise; B duplicates one character per hat; C railing tape flicks away. Rhythm/Cut: response lands on step-down, photocopy flash restores grayscale.
SHOT 7 — 10.8–13.2s, lateral track into frontal, rooftop billboard. Shoulder parts hanging pasted sheet, torso follows, strap swings once, three-quarter turn, feet lock. Action: paper passage/strap swing/pivot freeze. Text “MAKE IT LIVE”, 115% two-line fold around body. A reads before turn; B aquamarine misregisters on hat roll; C strap briefly occludes lower words, then clear. Rhythm/Cut: beat switch removes kick half-bar, one frame jump at strap apex.
SHOT 8 — 13.2–15.0s, frontal close-up to black type field, rooftop billboard. Feet finish turn, shoulders square, chin lifts, jacket and strap settle late, camera holds, then hard-cuts to black. Action: final stance/release. Text “BREAK THE GRID”, 150%, same type family, paper-white on black with aquamarine offset. A clear; B low-octave visual duplicate; C compresses like tape stop but remains briefly readable. Rhythm/Cut: final bass hit and tag land together, two-frame tape tail, hard cut.

GLOBAL LOCKS: one protagonist only, stable anime identity and outfit integrated into real photographic spaces; connected route, strict three-color system, accurate English, clear face and mouth. Hard cuts, flash frames, paper occlusion, panel splits, misregistration, restrained VHS only. No soft dissolve, fade, generic dance loop, continuous shake, extra characters, face swap, outfit change, duplicate limbs, broken hands, covered eyes/mouth, watermark, logo, fake brand, gibberish, or unreadable text. End decisively.

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